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ELITE GUITARIST, Online Classical, Flamenco & Jazz Guitar Lessons and Repertoire Tutorials.
Los Angeles, CA
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Learning to play the guitar is not an isolated experience. As a subscriber to our classical, jazz or blues online guitar lessons get the most out these lessons by getting involved in the EliteGuitarist community. Here you can get valuable help and offer encouragement to other students learning to play the guitar. 

Jun 6



This is quite a bit more difficult to learn than Andreina, I'm on part 7 now.

Fair play to Tavi for producing this tutorial, you can see it wasn't easy to do.


I've finished online Uni at last after 6 long years so will have a lot more time now to learn songs and post videos. I'll post one just after finishing this piece and again in a few months when it's had some practice (and hopefully include Andreina if I can get bar 6 under control).


Has anyone else learned this yet?



Jun 8Edited: Jun 8

Not really worth sharing at the moment. I can play it through now but will have to give it at least a couple of weeks practice before it's anywhere near ready to record. I'm quite pleased with the first section, can play that fairly quick but the rest needs a lot of work to start building some tempo.


Mullenms you said you were working on this piece in your Andreina post, did you finish learning it? I'd also like to see another video update of how you've got on with Andreina. I'll record one as well and the video will show the difficulty I have with bar 6, don't seem to be making any progress with it.


Both tutorials are great additions, I've had a big sense of achievement from learning them and hope one day to be able to play them properly.

Jun 13

you're pretty brave for taking that on.. to me it seems like the hardest piece on the site repertoire after maybe the Dyens tango. I won't start it for a while I think but how's it going? you could record your progress even if the piece isn't finished - if you make the video private on youtube then only linked viewers can watch it.

Jun 13

Hi Alex, after learning Andreina I had to learn this piece as well. When you watch Tavi's performance it does seem very difficult but now I've got over the hard part of remembering all the notes it's actually not that bad.

The first section that repeats I can almost play at the tempo Tavi plays, only obviously not as accurate. The two sections that follow I don't play as fast, still getting used to the chord changes and being able to grab them quicker. I'll give it another go today with a recording as I'm a bit happier with it now.


You play Cavatina very well I have no doubt you'd have no problem with Natalia. It's well worth working through the tutorials and being able to play this after. I agree with you that Tango might be more difficult again, I started on that but decided to leave it for a while, didn't get passed the first few bars!

Jun 13

The left hand moves much faster than any piece i've learned. I'll wait for your video for inspiration before I start it then :P good luck!

Jun 14

Ok here goes!


Painful in parts but after 1 week have to be fairly happy with it, just have to practice every day and wait patiently for it to improve.




Jun 18

Nice job!!! Sorry just saw this. Very motivated to start the piece now. Now that you have the notes i would suggest isolating individual chord changes and practicing them ad infinitum - well until they become seamless.


Are you scottish at all? You look exactly like Craig Ferguson

Jun 18

I find the start of the 2nd section probably the hardest chord changes which will need isolating. The first section is surprisingly easy compared to the second, which you can see as the tempo immediately slows right down, so plenty of practice needed on that part especially.


Cavatina is a little harder to learn I think, I'm on tutorial 3 now learning the bass notes part, hardest so far. You'll be fine with Natalia if you can play this.

No I'm Welsh, had to look who he was, watched some clips of the Late Show, thanks for the compliment, nice job he has!

Jun 20

I'm trying to learn the notes for Una Limosna at the moment. I might start Natalia after while I learn how to do a tremolo because I feel like that will take a long time. good luck with cavatina!

Load more replies
Jun 14Edited: Jun 14

The tricky end bit I struggle with where there's the option of using a bar instead, I might do that. I watched Ana Vidovic play it and that's what she does, good enough for me.



Jun 30

Hi Nathan


Great job with Natalia and yes I agree it is much harder than Andreina....I did get through the score but no fluency and have been side-tracked learning other pieces...think that is my biggest problem continually changing what I am working on! I'll get back to it soon and also post Andreina update in the not to distant future.....but again well done!




Jun 30Edited: Jun 30

Thanks Martin, I have the same problem sometimes getting sidetracked but that's easy enough when there's so many great pieces to learn. I was finding Tango a bit too hard so decided to leave it for a while. I think the middle section of Natalia is the hardest, working your way down the fretboard with the quick chord changes. I've decided not to worry too much about fluency or struggling to reach certain chords, just keep practicing and let it develop slowly, it's going to take months/years anyway!


I'm almost a year into practicing Capricho Arabe and a couple of parts I really struggle with still. I hope you carry on with Natalia and look forward to your next Andreina update. I'll post a video in your Andreina thread soon, I haven't practiced it as much lately while learning new pieces, so I'll aim for next weekend with a recording.



Aug 12

I've messed up Bar 20 and completely forgotten about Bar 21-22, don't know how that happened but I'm going over the tutorial again to learn it properly!

New Posts
  • Alex
    Nov 9

    Hi, I'm starting this piece and I'll be posting updates here - if anyone else is also learning this or wants to start with me you can post your progress here too!
  • Mohsin Zizou
    Oct 4

    Hi all, I hope that my message finds you all in good health. I'm writing this to share my experience with you in relevance to my recent guitar purchase. So, a few months ago I decided to sell my guitar because I have always been drawn to a deeper/darker sound, which my spruce "Torres" model didn't deliver. It wasn't that the instrument lacked anything, it had been an awesome companion in my journey thus far but maybe it was something which I lacked and I was searching for. Nevertheless, I travelled from China to England visiting Brighton, Kent and London to test guitars and hopefully find that missing something. I'll write below the instruments I tried and a short review of what I felt about them. I spent three full days playing and replaying many instruments, so writing a review for each of the guitars would be a very big job, I will however provide information on the instruments I feel were most appealing to me. It is important to understand that this is only my opinion, which is highly subjective and would probably not be the same for everyone. Juan Hernandez Maestro- New (GBP2800): Specs - Top: Canadian cedar. Nut width: 52.5mm. Back and sides:  Cocobolo. Varnish:  Nitro Lacquered. Fingerboard:  Ebony. Scale:  650 mm. I really liked this instrument from the first time I lay my hands on it. The construction of the instrument was first class, with high quality woods from all over the world and a very tidy finish. One of the reasons I liked it almost instantly was because of the ease in playability due to a well shaped neck and a great set up. The instrument was also very loud but with sublime control. The bass did not overpower the trebles and the notes had great sustain. My only issue with the instrument was the it was a little too big for my liking and I wanted an instrument, which to me was perfect from the get go. If you don't mind a slightly larger instrument, I would seriously recommend the Hernandez Maestro. Overall score 4.5/5 Pablo Requena- Second hand (GBP 2000): Specs - Top:  Cedar. Nut width: 52mm. Back and sides:  Indian Rosewood. Varnish:  French Polish. Fingerboard:  Ebony. Scale:  650 mm. Nowadays, Pablo's guitars go for over 4000GBP brand new so this seemed like a bargain. Having said that, after playing the instrument and considering the price I thought that it was not worth it. In my opinion the Alhambra 10p is much better in terms of value for money. Don't get me wrong, it was a good instrument. The balance of the instrument as well as sustain and playability were good but for the same price one could buy a similar instrument with a case and a year's warranty. Overall score 4.0/5 Stephen Hill 2A- New (GBP 3000): Specs - Top:  Spruce. Nut width: 52mm. Back and sides:  Wenge. Varnish:  French Polish. Fingerboard:  Ebony. Scale:  650 mm. I don't see what all the fuss is about. The instrument was no more exceptional than most guitars in the 1500GBP-2000GBP category. Again, I'd like to stress that it was not that the instrument was not good, but for the same price one could buy an instrument with higher quality woods and tuners. The workmanship was great as would be expected from a maestro luthier but for me the price of the instrument and what it delivered were not on par. The Hernandez was head and shoulders ahead of it in terms of power, balance and sustain, but the playability of both instruments was similar. Overall score 4.0/5 Amalio Burguet 1a- New (GBP 2300): Specs - Top:  Cedar. Nut width: 52mm. Back and sides:  Indian Rosewood. Varnish:  Lacquer. Fingerboard:  Ebony. Scale:  650 mm. This instrument was very enjoyable to play. I found that even as a new instrument, it had maturity and balance across the fingerboard and strings. I spent quite a long time playing this instrument because I think that for the price it was a very good deal. It had power and sustain, doing a lot of work for the player and making it a very good companion. However, it was missing something, maybe it was me but I felt that I hadn't found what I was looking for, so I continued my search. Overall score 4.2/5 Jose Ramirez 1a 1967- Second hand (GBP 5000): Specs - Top:  Cedar. Nut width: 54mm. Back and sides:  Brazilian Rosewood. Varnish:  Lacquer. Fingerboard:  Ebony. Scale:  664 mm. The best instrument I've ever played. I had heard that the old Ramirez were very difficult to play because of the action, the size of the instrument as well as the scale length, but it just goes to show that one shouldn't believe something because someone said so. The guitar was very easy to play, the size was not big and the scale length was not noticeable. But oh my, the sound. The notes had a piano-like quality and an extra-ordinary balance. For once Segovia's words mades sense. "The guitar is like an orchestra looked at by the reverse side of the binoculars. It is a little orchestra". And that it was. It had something within it that spoke without words, things within me I had not known. If I had the money I would have bought it instantly. Overall score 5/5 Pappalardo S2- New (GBP 2900): Specs - Top:  Cedar. Nut width: 52mm. Back and sides:  Indian Rosewood. Varnish:  Lacquer. Fingerboard:  Raised / Ebony. Scale:  650 mm. I loved this guitar. In terms of playability, it was the best out of all the guitars I tested. It was highly responsive and a low action made the difficult passages very simple to play. The volume was the same as most large guitars but there was an unusual control even when one strikes the strings without control. All this, added to the raised fingerboard made it a players dream. An example of this ease in playability is the B section in Satie's Gnossienne No. 1, which goes up to an A on the high E string. On this guitar it was really easy to play that usually awkward note. Having said all of that, it lacked the piano-like notes on the high E string, which I heard on the Ramirez 1a. A little thing like that made sure that I kept at it. Overall score 4.6/5 Yulong Guo Chamber- New (GBP 3000): Specs - Top:  Cedar. Nut width: 52mm. Back and sides:  Santos Rosewood. Varnish:  Lacquer. Fingerboard:  Ebony. Scale:  650 mm. Armrest. This instrument was a strange one. After playing the Pappalardo for almost 30 minutes I picked up the Yulong Guo and I put it straight back down. I really disliked it. It was bright even when I played tasto or tried hard to create a darker sound. And honestly it felt like no matter how much I tried to colour a piece with different tonal variances, I seemingly got the same response. The guitar was however loud and easy to play. Again, this may just be me and my preference of sound but for the asking price it was not worth it. Overall score 3.8/5 Manuel Adalid Membrana- New (GBP 2800): Specs - Top:  Cedar. Nut width: 52mm. Back and sides:  Pau Ferro. Varnish:  French Polish. Fingerboard:  Ebony. Scale:  650 mm. It was between this instrument and the one I chose for the final showdown. It has everything, power, balance, control, sustain and fantastic playability. Before playing this instrument in terms of tonal quality my favourite had been the Hernandez Maestro and in terms of playability it had been the Pappaladro, but the Membrana had a bit of both worlds and a little more. I really enjoyed playing it and it seemed like this was going to be the one until... Overall score 4.8/5 Mengual y Margarit Luthier- New (GBP 3500): Specs - Top:  Cedar. Nut width: 52mm. Back and sides:  Indian Rosewood. Varnish:  Lacquer. Fingerboard:  Ebony. Scale:  650 mm. I played this. This was it. From the first note I played, it captivated and held my attention. Legend has it that the Stradivarius instruments have something within them that only the player feels. Tests on frequency and pitch have shown that they are no different from most modern instruments but then what is it that gives them their charm and mysticism? Maybe there is something innate within the player, which they find within their instrument. A bond that can't be described but only felt. I felt this instantly with my guitar and now it is here with me, in China. Overall score 5/5
  • lannie.hudson
    Sep 23